Writing this entry from the Oxford Tube. Brain is fried from a three hour group meeting. Have about two hours to regenerate said brain before the next meeting begins. Whee!

It seems odd to relish the commute home as my time to relax. However, today has been ridiculously hectic -- albeit somewhat productive -- making this the first chance I have had all day to do something fun.

Which means I'm not going to talk about anything physics related. Nope. I'm on break. Instead, I am going to talk about theatre!!


So, as I have already chronicled within these [virtual] pages, last week [livejournal.com profile] cheshcat and I went to see Chess. Leaving the show, I realised that what I wanted, more than anything in the world[**] was greens, greens, nothing but greens was the soundtrack to Chess. Unfortunately, there does not seem to be an "Original London Cast" recording. And I am sure not going to be bothered with the farce that passes for the Broadway version. What I would love is a copy of the version recorded at the Royal Albert Hall last year. However, that will not be released until Spring so, for now, I have to make do with the concept album.

Said album was acquired the next day. One week later, I am not quite sure how many times I have listened to it... but I am well on my way to having the entire score memorised.[***] Good stuff![****]

Since I ice skate on Mondays and ring bells on Tuesdays & Thursdays, Wednesday night is the best opportunity for theatre. Yesterday was a Wednesday, and it did not break the mould. [livejournal.com profile] cheshcat and I went to go see the Creation Theatre company perform a version of Hans Christian Anderson's tales in the Mirror Tent. These are the people responsible for giving me hypothermia back in August. Since it is now December, they have wisely stopped doing outdoor theatre for the year. The Mirror Tent is a very spiffy venue for performances. It is one hundred years old and normally lives in Holland[*****]. Creation brings it to Oxford each December to use; last year, we saw them do a production of The Brothers Grimm in it! Fun times!

Finally, I owe an enormous:

THANK YOU

to one of the wonderful Dr. Jens on my f-list[******] -- the ever-amazing ever-adorable [livejournal.com profile] jeneralist. She recently brought it to my attention that Patrick Stewart and Ian McKellan will be starring together in a production of Waiting for Godot that will be touring in the UK next year. Without her intervention, this may have slipped entirely beneath my radar. However, due to her considerate e-nudging me in the right direction, [livejournal.com profile] cheshcat and I now have tickets to see this Dynamic Duo perform in Milton Keynes on March 21st. I suspect that more than one person on my f-list would enjoy seeing Magneto and Professor X waiting around for Godot, so I am passing the favour along. There are many seats left -- if you are a fan of Beckett, Stewart, or McKellan then get thee to a [virtual] ticket booth!


[*] Because I am feeling generous, I will award one hundred points to the first person who correctly identifies where the title of this post came from.

[**] Not really... but I will award another hundred points to the first person who correctly identifies where this line comes from. Note that I even gave y'all a hint!

[***] Does that make me the Arbiter? (One hundred points to the first person who correctly explains why this is a pun)

[****] Note to [livejournal.com profile] squeektoy42: By mentioning Chess again, I am affording you another opportunity to join in on the musical theatre discussion. You were conspicuously absent from said discussion last week, my dear. I will forgive it this once, given that you were away eating dead birds and whatnot. Please don't make the same mistake twice, oh Queen of Musical Theatre!

[*****] I don't know what it is about Holland that produces such spifftacular things! One of the highlights of last weekend, where we went to see Oxford's Winter Light event, was a brass band from Holland -- called Decibel -- that was much fun! They had forward-facing euphoniums and a sousaphone stuffed with a chicken... and they played songs like Eye of the Tiger and YMCA. They also take requests shouted out of a window across the street and one story up by a bloke wearing nothing but a bathrobe!

[******] Yes, there are more than one.



From: [identity profile] topbit.livejournal.com


Brain, Brain, What is Brain!?

This is what I get for watching The Sara Jane Adventures, and not continually pressing refresh on my friends list....

From: [identity profile] anarchist-nomad.livejournal.com


*ding ding* We have a winnah!

One hundred points for you, Gorgeous!!

(Personally delivered by lil ol me! *wink*)

From: [identity profile] tawneypup.livejournal.com


Wheeee! I'm excited! I'm almost always too slow to get points! *dances madly*

From: [identity profile] stormdog.livejournal.com


Oh wow; I would so very much love to see that. I've always wanted to see Waiting for Godot anyway, and it would be so neat to see Captain Picard (ok, he was in the X-Men movie too, I know...) in it!

From: [identity profile] anarchist-nomad.livejournal.com


I saw Waiting for Godot once, a great many years ago. (Certainly more than a decade) I really don't remember it, though.

I tend to think of this is Magneto and Professor X, since they are together. Gandalf and Jean Luc Picard are less commonly seen together... *grin*

From: [identity profile] bammba-m.livejournal.com


Poo, i missed the quote points!

Does it count as cheating if i had to use google to figure out the pun? I bet it does. It feels like it might. So i'll have to pass on this one and just count myself that much happier to not have gotten the pun.

W00t!

Also, i am very jealous of your theater-goings. If i am not going to England as part of my job next summer, i will definitely be saving my lion butts.

From: [identity profile] anarchist-nomad.livejournal.com


Perceptive you are!

(Which is the nice way of saying: "Yes, it is cheating if you have to look it up!" Thank you for preserving the honour and dignity of this great sport, my dear, by not cheating!)

I would love to have you visit us sometime! And if you do, I promise to comb the area for spiffy theatre opportunities! How's that for a deal-sweetener?

From: [identity profile] perspicacious.livejournal.com


Oooh! Ooh! I know the second one: Into the Woods. And I am seriously jealous of your Waiting for Godot tickets.

I know I owe you an email... it's been a crazy (in a good way) week! Soon, I promise!

xoxoxo


From: [identity profile] anarchist-nomad.livejournal.com


Well done! We have another winnah!

Please to be having one hundred points, Sweetie! I can bring them to you in person for an extra-special delivery in just nineteen more days! *wink*

As for the e-mail? Don't worry about it. I totally understand what crazy busy is like! Very glad that you are having fun... and I can't wait to hear what you have been up to, my dear!

xoXox

From: [identity profile] sanjibabes.livejournal.com


Much as I fancy Patrick Stewart and would love to see him doing some stage acting, I couldn't sit through "Waiting for Godot". Had to read it for ALevel and just, just ...no more.

From: [identity profile] anarchist-nomad.livejournal.com


Patrick Stewart is awesome on stage! I've seen him in two very different versions of The Tempest, a one-man version of A Christmas Carol, and as Claudius in Hamlet.

Overall, though, I agree with you about Beckett. When I went to see Endgame in Chicago with [livejournal.com profile] polymorphism, it made my brain hurt. Halfway through the show, I whispered to her: "I really wish that this had been your idea!" :-)

Still, in this case, I can make an exception! *grin*

From: [identity profile] winewiskeywomen.livejournal.com


"Patrick Stewart and Ian McKellan will be starring together in a production of Waiting for Godot"

OK- i am well and truly envious

From: [identity profile] anarchist-nomad.livejournal.com


Sorry, old friend! If I could, I would bring you with me! The best I can do is to share the excitement with my UK friends by publicising the show for them. If only I could somehow get my people back in the States here, too...

From: [identity profile] ms-redcat.livejournal.com


RE: His brain... is gone!

The members of my cohort, seeing me walk into class tomorrow! Oh wait, wrong pronoun. Oh wait, the time machine blew up so you can't see that yet. Never mind...

From: [identity profile] anarchist-nomad.livejournal.com


Can I take it that Wednesday left you feeling about as brain fried as it did me, my dear? :-)

(I probably need to build another time machine. Just because. What's the worst that can happen? It blows up? We already know that when such happens it is way cool!)
blaisepascal: (Default)

From: [personal profile] blaisepascal


Act I, Track 1 (Merano), reveals that, among the cast of characters, the Arbiter is the one who knows the score. He can't be fooled either.

Until someone explained it to me, I thought that it was important for some reason for the board to come from a neutral country, not under the control of either the US and USSR. But now I understand Point 23 better.

Great, now I want to sing "how can you see what used to be a model of decorumand tranquility become like any other sport a battleground for rival ideologies to slug it out with glee." I'm going to have to dig up my copy -- or get a new copy.

Perhaps my favorite song to sing from the album is "Embassy Lament".

From: [identity profile] anarchist-nomad.livejournal.com


Close, my friend, but not quite. Act I, Track III (Opening Ceremony) reveals that he's the Arbiter -- he knows the score!

Still, you provided more detail than necessary to win the hundred points. They are yours!

Speaking of points, you may need to explain to me what is so clever about Point 23. The only possible pun I saw in there is that Sweden produces "non-aligned wood" (i.e., aligned with neither the US or the USSR). Hmmm... now I am wondering if there is some bit of cleverness hidden in Point 17 or Point 31, too. It does seem odd to me that the Arbiter spends the quartet singing totally random and ineffectual rules at us.

If you can find your copy of the album, that would be great. If not, though, I would suggest holding off on buying a new copy. I suspect that the Royal Albert Hall concert version -- going on sale in the Spring (they say) -- is going to be phenomenal!

I like the Embassy Lament, though I'm not sure if I have a favourite to sing. I quite enjoy singing "Where I Want To Be" and "Nobody's On Nobody's Side" and "The Arbiter" and "Pity The Child", too!
blaisepascal: (Default)

From: [personal profile] blaisepascal


There's no pun with the Arbiter's recitation of the agreement during the Quartet. However, "non-aligned wood" in this case refers to the grain of the wood. The agreement for the game calls for "totally random and ineffectual rules" that have to be met for the game to go on. In this case, that the grain of adjacent squares on the chess board be not aligned, heightening the visual contrast between the black and white pieces.

I strongly suspect that the Arbiter's role in that quartet was inspired by the negotiations for the Fisher/Spassky World Championship match of 1972, where Fisher kept making increasingly arbitrary and picayune demands (which FIDE agreed to). Fisher had his special chair brought to the game, required the TV cameras be silent (or removed), and lots of other demands which didn't relate to his abilities over the board. He also failed to appear to the opening ceremonies (causing more deliberation between Fisher and FIDE), brought his lawyer as part of his entourage, and forfeited game 2 (because he was upset about the physical conditions he was playing under, causing a concession by FIDE over the TV cameras and other noise sources).

He also didn't follow the usual high-level match strategy of studying in depth a small number of openings and using them repeatedly during the match. He never played the same opening twice, and played some novel openings he'd never played before. This, of course, completely stymied Spassky's preparations, which, as was traditional, involved studying his opponents traditional openings to find weaknesses. As such, despite his off-board antics, Fisher blew away Spassky on the board.

From: [identity profile] anarchist-nomad.livejournal.com


Gotcha. Cool -- thanks for explaining about the board!

I know a bit about Bobby Fischer, though I am no expert. Didn't he forfeit the next championship to Anatoly Karpov because the FIDE wouldn't meet all of his demands?

By the way, you aren't the only one with strains from the Quartet going through his head today! I've got bits and pieces flowing in and out of my brain, too. Whee! Earworms!

By the way #2, the version that we saw had a prologue with a young Florence and her father. He gives her a chess piece (that she keeps on her as an adult) and sings, to the same tune as the Quartet, a bit that the choir does in "The Story of Chess":

"Each game of chess means there's one less variation to be played.
Each day got through means one or two less mistakes remain to be made."

Very cool!

From: [identity profile] acelightning.livejournal.com


I knew where the "brain" quote came from, of course, but by the time I read it, it had already been answered.

Ian McKellen and Patrick Stewart together onstage? Why isn't that transporter finished yet?!

From: [identity profile] anarchist-nomad.livejournal.com


Not a'tall surprised that you got the brain quote, dear Ace!

And, yes, Ian McKellan and Patrick Stewart on stage together. How cool is that???

Oddly enough, though, I'm not hearing anything any interest from the UK portion of my f-list. There seems to be a fair bit of envy from the US part of my f-list, who cannot make it over here to see the performance... but my UK people (for whom I posted this info, as they could go buy tickets more feasibly) seem none too enthused. Go figure!

From: [identity profile] acelightning.livejournal.com


It's probably because McKellen and Stewart, singly or together, are far more likely to appear onstage live in the UK than on this side of the pond, therefore we USAnians are more impressed by the idea of both of them at once.

From: [identity profile] anarchist-nomad.livejournal.com


Possibly... but I'm not convinced. The idea of a performance by either Stewart of McKellen being unimpressive seems very foreign to me. Let alone both of them together!

I've seen McKellan on stage (RSC's King Lear[*]) and I've seen Stewart on stage four times. I have never seen them both together.

I don't even like Samuel Beckett... and I was determined to see this one! We got lucky, too -- front row seats!


[*] After which I shook Sir Ian's hand whilst Chesh told him that he was even better on stage than Patrick Stewart. :-)

From: [identity profile] acelightning.livejournal.com


I was thinking that British audiences might think of Stewart and McKellen the way New York audiences think of... oh, Joel Grey, for example. Not that they aren't all impressive performers, but seeing Joel Grey on Broadway wouldn't be a terribly rare event.

(And every time I think of Sir Ian, somewhere in a dim corner of my brain a voice is chanting in a childish sing-song, "Gandalf is ga-ay! Gandalf is ga-ay!")

From: [identity profile] squeektoy42.livejournal.com


Hey you. I"m sorry...I just haven't really had it in me. I will come back in a few days and read up...and if the discussion hasn't completely died maybe I can get in then.

From: [identity profile] anarchist-nomad.livejournal.com


S'okay, Sweetie. I was just teasing.

Sorry to hear you are feeling down. I'll write more, but not right here...

*big hugs*
.

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